While I could talk about intricacies of using hand-ground pigments, French and Spanish brushes, Belgian oil-primed linen, gilding with acid dyed silvers and a myriad of techniques alongside art theory, it's not what is important .  The approach is simple, time. Time for the ideas and work to develop.  Selecting, eliminating, scraping, repainting, and rearranging the pieces in order to bring out the undistracted essence of the work. In many instances this is over the course of months or even years. 


© 2018 Rigney.                       museum quality, nothing less.             (+1)  919. 444. 1150               

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